|
[ºí·ç·¹ÀÌ] ¹Ù±×³Ê : Æĸ£ÁöÆÈ[¼öÀÔ]
|
|
|
|
¹è¼Û·á´Â 2,000¿øÀÌ¸ç ¹«·á¹è¼Û»óÇ°°ú °°ÀÌ ÁÖ¹®ÇϽðųª ÃÑ
3¸¸¿ø ÀÌ»ó ÁÖ¹®½Ã ¹«·á¹è¼ÛµË´Ï´Ù. |
|
|
|
|
|
|
|
|
|
´õºù |
µ¶ÀϾî / ¸Þ´º ¾ð¾î: ¿µ¾î / |
ÀÚ¸· |
¿µ¾î / ÇÁ¶û½º¾î / µ¶ÀϾî / ½ºÆäÀξî / ÀÌÅ»¸®¾Æ¾î |
|
ȸéºñÀ² |
16:9
|
»ó¿µ½Ã°£ |
280ºÐ |
|
µî±Þ |
, |
¿Àµð¿À |
LPCM 2.0 & DTS HD- Master Audio
|
|
Á¦ÀÛ»ç |
Sony Classical
|
Áö¿ªÄÚµå |
All
|
|
Á¦À۳⵵ |
|
Ãâ½ÃÀÏÀÚ |
2014-08-01
|
|
|
|
|
¡Ø ÁÖÀÇ »çÇ×: ºí·ç·¹ÀÌ(Blu-ray) µð½ºÅ©´Â ºí·ç·¹ÀÌ Àü¿ë Ç÷¹À̾¼¸¸ Àç»ýµË´Ï´Ù. µû¶ó¼ ±âÁ¸ DVD Ç÷¹À̾¼´Â Àç»ýÇÒ ¼ö ¾ø½À´Ï´Ù.
¹Ù±×³Ê »ý¾Ö ÃÖÈÄÀÇ ¸íÀÛ! Æĸ£ÁöÆÈ (Wagner: Parsifal) ¸ÞÆ®¿ÀÆä¶ó °ø¿¬½ÇȲ ºí·ç·¹ÀÌ
¼¼°è Á¤»óÀÇ Å×³Ê ¿ä³ª½º Ä«¿ìÇÁ¸¸ ÁÖ¿¬!
´Ù´Ï¿¤·¹ °¡Æ¼ ÁöÈÖ /ÇÁ¶û¼ö¾Æ Áö¶ó¸£ °¨µ¶ ¿¬Ãâ!
[The Metropolitan Opera HD Live]
|
|
|
|
¹Ù±×³ÊÀÇ Åº»ý 200ÁÖ³âÀ» ±â³ä ¸ÞÆ®¿ÀÆä¶ó ´ºÇÁ·Î´ö¼Ç¿¡ ÀÇÇØ Åº»ýÇÑ [¹Ù±×³Ê: Æĸ£ÁöÆÈ] °ø¿¬ ½ÇȲ ºí·ç·¹ÀÌ! 2013³â 2¿ù, ´º¿å ¸ÇÇÏÆ° ¸µÄÁ ¼¾ÅÍ ¿ÀÆä¶ó ÇϿ콺¿¡¼ ÃÊ¿¬µÈ À̹ø °ø¿¬Àº ¼¼°è Á¤»óÀÇ Å×³Ê ¿ä³ª½º Ä«¿ìÇÁ¸¸ÀÌ Met¿¡¼ óÀ½À¸·Î ÁÖ¿¬À» ¸Ã¾Æ Àü¼¼°èÀÇ ÁÖ¸ñÀ» ¹ÞÀº ÈÁ¦ÀÛÀÌ´Ù. ¼¼°èÀûÀÎ ¸¶¿¡½ºÆ®·Î ´Ù´Ï¿¤·¹ °¡Æ¼°¡ ÁöÈÖ¸¦, ¿À½ºÄ« ¼ö»óÀÛ <·¹µå ¹ÙÀ̿ø°>°ú <±Û·» ±¼µå¿¡ ´ëÇÑ ¼¸¥µÎ °³ÀÇ ÂªÀº Çʸ§>À¸·Î Àß ¾Ë·ÁÁø ÇÁ¶û¼ö¾Æ Áö¶ó¸£ °¨µ¶ÀÌ ¿¬ÃâÀ» ¸Ã¾ÒÀ¸¸ç, ±× ¿Ü īŸ¸®³ª ´Þ¶óÀ̸¸, ¸£³× ÆÄÆä, ÆäÅÍ ¸¶Å×ÀÌ, ¿¹ºê°Ô´Ï ´ÏŰƾ µî º°µéÀÇ ¼º¾ÇÁøÀÇ Âü¿©·Î ¿ª´ë ÃÖ°íÀÇ Ä³½ºÆÃÀ» ÀÚ¶ûÇÑ´Ù.
ÃÑ 280ºÐ ºÐ·®À¸·Î ±¸¼ºµÇ¾î ÀÖÀ¸¸ç, °ø¿¬ ÀÌ¿Ü¿¡ Ã⿬ÁøµéÀÇ ÀÎÅͺ䰡 ´ã±ä º¸³Ê½º ¿µ»óÀÌ Æ÷ÇԵǾî ÀÖ´Ù.
[Ã⿬] Æĸ£ÁöÆÈ: ¿ä³ª½º Ä«¿ìÇÁ¸¸ ±¸¸£³×¸¸Ã÷: ¸£³× ÆÄÆä ¾ÏÆ÷¸£Å¸½º: ÇÇÅÍ ¸¶Å×ÀÌ Äïµå¸®: īŸ¸®³ª ´Þ¶óÀ̸¸ Ŭ¸µÁ¶¸£: ¿¹ºê°Ô´Ï ´ÏŰŲ µî ²ÞÀÇ Ã⿬Áø!
¿ø¾î: µ¶ÀϾî / ¸Þ´º ¾ð¾î: ¿µ¾î / ÀÚ¸·: ¿µ¾î / ÇÁ¶û½º¾î / µ¶ÀϾî / ½ºÆäÀξî / ÀÌÅ»¸®¾Æ¾î
»ó¿µ ½Ã°£: 280ºÐ /BD 50 / È¸é ºñÀ²: 16:9 / LPCM 2.0 & DTS HD- Master Audio / Áö¿ª ÄÚµå: All
Wagner: Parsifal Jonas Kaufmann (Parsifal), Katarina Dalayman (Kundry), Peter Mattei (Amfortas), Rene Pape (Gurnemanz), Evgeny Nikitin (Klingsor), Runi Brattaberg (Titurel), Maria Zifchak (Stimme) Orchestra of the Metropolitan Opera, Daniele Gatti, Francois Girard (dir.)
BBC Music Magazine June 2014 ***** ¡°Kaufmann is the Parsifal we've all been waiting for...Matching his agonies are those of Peter Mattei's Amfortas and Katarina Dalayman's lustrous, secure Kundry, while the relaxed, minimal gestures of Rene Pape's Gurnemanz bely the vocal armoury he unleashes in the last Act. Gatti's pacing isn't my ideal...but on its own terms it's remarkable.¡±
Gramophone Magazine June 2014 ¡°The orchestra sound is consistently rich and resonant...The impassioned intensity Jonas Kaufmann brings to Parsifal's music is matched by the rhetorical conviction of Peter Mattei's Amfortas and Evgeny Nikitin's Klingsor...This is very much Wagner for the 21st century.¡±
|
|
|
|
|
|
|
|
¹è¼Û·á |
¹è¼Û·á´Â 2,000¿øÀ̸ç
¹«·á¹è¼Û»óÇ°°ú °°ÀÌ ÁÖ¹®ÇϽðųª ÃÑ 3¸¸¿ø ÀÌ»ó ÁÖ¹®½Ã
¹«·á¹è¼ÛµË´Ï´Ù.
(´Ü Á¦ÁÖ, µµ¼Áö¿ª, Çؿܹè¼Û Ãß°¡¿îÀÓ) |
|
|
|