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Wagner: Die Meistersinger von Nurnberg Recorded live at Glyndebourne, Lewes, July 2011 Gerald Finley (Hans Sachs), Anna Gabler (Eva), Johannes Martin Kranzle (Sixtus Beckmesser), Marco Jentzsch (Walther von Stolzing), Topi Lehtipuu (David), Michaela Selinger (Magdalene), Alastair Miles (Veit Pogner), Henry Waddington (Fritz Kothner), Mats Almgren (Nightwatchman), Colin Judson (Kunz Vogelgesang), Andrew Slater (Konrad Nachtigall), Alasdair Elliott (Balthasar Zorn), Adrian Thompson (Ulrich Eisslinger), Daniel Norman (Augustin Moser), Robert Poulton (Hermann Ortel), Maxim Mikailov (Hans Schwarz), Graeme Broadbent (Hans Foltz) London Philharmonic Orchestra, The Glyndebourne Chorus, Vladimir Jurowski (conductor) & David McVicar (stage director)
Duration: 300 minutes Sound type: 2.0LPCM + 5.1(5.0) DTS Subtitles: EN/FR/DE
BBC Music Magazine DVD Choice - December 2012
Financial Times 22nd September 2012 *** ¡°The camerawork ? mostly close-up ? is superb, focusing on the intimacy of the Glyndebourne stage and the visual expressiveness of a young cast. Vicki Mortimer¡¯s Biedermeyer sets are notably more handsome on film than in the theatre, and the performance (captured late in the inaugural run) breathes a general air of wellbeing¡±
BBC Music Mahazine December 2012 *****b ¡°McVicar's staging stokes the glow of Meistersinger's humane heart...and above all he reminds us that this is an opera about youth and self-discovery. Gerald Finley's pivotal Sachs relish[es] this intensely verbal role with a Lieder-singer's skill and beauty...Jurowski completes the ensemble with a beautiful account, unfolding the story with pace and details...Together they make the immense performance the most uplifting performance I can recall¡±
Gramophone December 2012 ¡°Jurowski handles the score with seriousness and pomp...Finley has the role of Hans Sachs massively in focus, both musically and dramatically. He is compulsively watchable throughout...McVicar's production is best at one-to-one emotional confrontations but rather loud and messy in ensemble scenes...it would be mealy-mouthed not to notice the commitment and enthusiasm steaming off the stage, while Finley's work has to be seen and heard¡±
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